
Sunday, May 30, 2010
Cactus Flower

Saturday, May 29, 2010
Saturday

Friday, May 28, 2010
Looking Inward

Gunfight
Rascal #2
Thursday, May 27, 2010
International

Before I started painting, I created a quick painting of the dump truck in my sketchbook using acrylic paints. I was quickly reminded why I don't work in acrylic paint...they dry much to fast. The practice made me eager to get started on the actual painting. No delay this time, I got right to work! I painted in the background and the windows of the dump truck, starting again with the areas that are furthest away from the viewer. To get the windows really dark, I combined lamp black, ultramarine blue and cobalt blue. How I love the smoothness of oil paint and how they blend together so easily!
Procrastinate
Why do I do this? Procrastinate? Again the fear steps in and convinces me that I should be organizing a drawer or making a run to Goodwill rather than doing the more challenging thing.....starting on a new painting. That little voice says "drawing that old International truck is REALLY hard" "it won't be easy, do something else instead" And so I get suckered in, walk away from my studio, get in the Jeep, and go to Goodwill. Honestly, I do need to take a few things to Goodwill and I do need to go to Cosco to buy an atlas for my roadtrip, but I can not use those things as a means to avoid my artwork.
Okay Julie......
- I will finish drawing the old truck BEFORE I do anything else.
- This afternoon I will work on the Rascal painting and I will start painting the International!
No excuses, at least not for today.
"Looking Inward" Influences
"Who Am I?" was completed in February 2009. I was taking a life drawing class at the time and was drawing from a model. I wasn't able to finish it in class, so I finished it up at home. I had to use my own face in the drawing because I hadn't sketched in the models facial features. This was the first time I ever incorporated skeletal bones into my artwork.
"Julie, Beat Up and Abandoned" was a painting I created to show how I was feeling at the time. I still feel this way. I completed it in early May, 2009. From my paintings of skeletons wearing clothing, I moved into this version of a skeleton wearing skin to show that I had been hurt, abused, and angered; but the healing has begun and I am moving forward.
These two paintings have pushed me into my current painting, "Looking Inward".
Wednesday, May 26, 2010
Looking Inward

The concept of Looking Inward is that whether I am naked or clothed, I still feel exposed to the harshness of the world in which I live. I need to look inside, to my heart, to what is me. Then I need to accept what I see. This is me, Julie, I am sensitive, I am strong, I will believe in myself, I will become a better person!
Before I started the painting, I looked in books and on the internet to try and determine the placement of a woman's breasts in relation to the sternum. Interestingly, most images dealt with the male body. I solved that problem by simply looking in the mirror and figuring it out for myself! I hesitated to start the painting. FEAR FACTOR. I wasn't sure how I wanted the ribs and heart to look. Should they be transparent, on top of the skin? Should it look like there is a hole, the skin missing exposing the heart and ribs? Should it look like everything kind of melds together? Without making a firm decision, I just started painting. I like to begin with what is farthest away, in this case, the back of the rib cage. Once that was done, I added the heart. I need to wait for that section to dry before tackling the exposed ribs. I still felt like painting so I moved on to the belly and then the blanket. I am matching the color of the blanket to the background of the fabric I have selected to use. With the blanket done, I will be able to work all of the skin at once when I am ready to start on it! I was pleased with the progress I was able to make in only about 2 hours of painting.
Now I realize that I need to start another painting as the 3 in progress are drying. Watch for "International"!
Tuesday, May 25, 2010
May 25, 2009
